- Pineapple door stop and stems
PHOTOS FROM SUMMER 2013
Tag: Vår
JANE PAIN GOES WEST
![The first hot tub crew at the Sacred Bones Rented Ranch, Yucca Valley, CA. Photo by Ms. Hannah Silk Champagne. (Taylor Brode [Sacred Bones], Soren Roi, Loke Rahbek [VÅR, Posh Isolation], Margaret Chardiet [Pharmakon], Christopher Hansell, Myself and JS Aurelius [Marshstepper, Destruction Unit].](https://janepain.files.wordpress.com/2012/12/hottub.jpg?w=1200)
INTERVIEW WITH LUST FOR YOUTH
Swedish synth artist Hannes Norrvide’s creates simple but intoxicating tracks reminiscent of Cremations era Cold Cave, but certainly more danceable. There is a certain freedom in his music. He says, quite simply, that he makes his music for himself and for fun, but he is certainly happy that others care to listen. I had a chance to ask Norrvide a few questions via email about his music and Growing Seeds, which Sacred Bones records have re-released today. All photos courtesy of Hanne Norrvide.
JANE PAIN: American label Sacred Bones is about to reissue Growing Seeds. How do you feel about the US? Why have you decided to write your songs in English and do you think it is significant at all? Are you looking forward to your upcoming American tour dates? What American bands/projects are you into right now?
HANNES NORRVIDE: I’m excited to visit US, I’ve only been there when I was very young. I’v met some really sweet people that are from the states so I hope the rest of US is like them, I don’t know.
Well, writing in english feels more safe than writing in my native language. And of course I’ve listened to a lot of music my whole life which most have been in english so it got kind of natural.
I got this 12″ by Hieroglyphic Being, I really liked that one, Gatekeeper.
LFY began as a solo project but has required helping hands to play live. Now that you are working with Loke (Vår/ Posh Isolation) , do you imagine that LFY will become a more collaborative project? Could you imagine adding more members and becoming a full band, or do you prefer to be in complete control of the project?
Maybe, time will tell. It’s still kind of the same thing, I have an idea of how I want it to be and Loke gives an opinion. But it’s still me doing it for the most part.
I given it a bit of a thought, and I like not to be alone playing live but for doing the recordings I prefer right now having the full control. I think it might would be hard to let other people take a bigger part of it since I’ve mostly done this alone the whole time.
You recently relocated from Sweden to Denmark for love. Has it been as romantic as it sounds? How are you adjusting to a new relationship in a new country? How is your new home treating you?
Yes. But there is also the basic everyday stuff of course which isn’t that romantic; paying bills, arguing about the dishes and boring stuff like that. Well it’s not that different from Sweden really, except alcohol laws aren’t as strict as in Sweden. Most of the people are nice here.
A few years ago, there was a sudden rise in the popularity of snyth based music but a lot of it was quite sentimental and aimed to be very nolstalgic (70s, 80s) but recently it seems there is a new voice of snyth based music. We may not be able to quite put our finger on it because it is happening. Do you feel akin to other comtemporary snyth projects? Is so, who and why? How do you feel that you fit in or do not fit in with other bands coming out today.
No, I have never thought about it. I have the feeling I don’t really fit in really, I think I make pop music but probably most people thinks it’s a bit too lo-fi and monotone.
What is your aim with your music? What do you want to achieve with your music? What other aspirations do you have? Where do you see LFY in the future.
To do something I enjoy doing, it’s just pure fun and if people wants to listen to it I’m honored.
You can listen to an exclusive stream of the album here via the Quietus.
Interview with Vår
I caught a voyeuristic thrill witnessing Vår live. The boys were utterly submerged in their music and each other, embracing each other tenderly or confronting the audience together. These four young men from copenhagen posses a captivating force that often lacks in typical “Lo-Fi” “minimal snyth” outfits. The set seamlessly vacillated from harsher noise landscapes to sweet, soft ballads to danceable songs with industrial nods. If you are in New York Sunday, June 17, I would urge you to catch them live at the Glasslands Gallery.
I had a chance to speak with the boys after their performance at Wierd night (a weekly party at Home Sweet Home).
JANE PAIN: Vår began recording songs during breaks at school. Was this band only intended to be a recording project?
Loke: That’s it. We never had a rehearsal, even for the recordings, so it is very much a recording project.
JP: So was tonight your first live show?
L: No, we played two shows before, but it was years ago and it was quite different from this one.
JP: Does it feel weird to play in front of a live audience?
L: No.
Elias: It was as it was supposed to [be]. It’s all pretty intuitive.
Lukas: I think it felt pretty good.
JP: Is there a direct noise influence to the project?
L: I have had and still have quite a few noise projects. I do a solo project and I am part of a duo called Damien Dubrovnik.
JP: How do you feel that your other projects are similar or dissimilar to Vår?
L: I think there is a connection in the energy. It’s quite different, because I do not consider Vår to be a noise project at all. But in aesthetics and energy, I think it is very similar.
E: I don’t think it is that similar to any of the other projects that I have. I think it is more about the relationship that me and Loke have. An extension of that.
L: It’s more like the sound of hanging out.
JP: It comes across when you guys are playing.
Chris Hansell: Can you talk about Posh Isolation [Loke’s noise label] a bit?
L: It is about us. Thriving towards some moment that is yet to be seen. It is about energy. I don’t consider it a record label, really. It is what we do and it is towards… An aesthetical energy that seems fitting for living. It’s my life and blood.
JP: Do you think that your reception in the states is different from your reception in Denmark? With the seven inch being out on Sacred Bones?
Lukas: We haven’t seen much of America. This is my first time in America and mostly I have just seen the inside of a recording studio. So I don’t know. I have not signed any autographs yet.
CH: Can you talk about the video for “in my arms”? The stripper is your friend, right?
E: It is my childhood friend that taught me how to drink alcohol and smoke hash when I was a kid. We used to go to the CD store close to where we live. He was a few years older. Both of us would buy five CDs each and hand them off to each other after we had listened to them. That is how I became interested in music.
L: We met him a half a year ago and he lives in Peru now, as a male stripper. He seemed like the embodiment of the energy that we want to capture with Vår. It felt like an obvious thing to shoot some stuff with him and to use it in the video. The plan is there will be a lot more stuff with him in the future.
JP: What is this specific energy that you are going for?
E: what we found interesting with him is a combination of self-satisfaction and a being with a drawing aura.
L: To answer your question, HE is the energy that we are trying to capture.
CH: What New York bands and projects are you into?
E: I like a lot of new punk stuff like Nomad and Perdition and Crazy Spirit. It is nice to see something in New York that seems dangerous again.
CH: Have you heard the Hankwood and the Hammerheads LP yet?
E: Yes, that is another good one.
CH: How about New York noise?
E: I hear names around, Sean from Heaven Street. Cult of Youth. You can tell it is very heartfelt from his side, the way that he thinks is very impressive. Elias friends from Scandinavia tell us that the Redlight district is the whole thing. That is something I am excited to see, even if there isn’t a show, I want to see the place and meet the people.
L: When people talk about it [Redlight] seems kind of similar to Copenhagen in a way. There is an actual scene, and people care to work together. It is difficult to talk about because I have never been there.
JP: A few people who work together. There are so many projects coming from just a few people.
L: In a sense, maybe there are twenty-five people in Copenhagen, but we are all in each other’s projects. All the noise projects and punk projects have studios in the same building.
E: It is very close knit.
CH: What are some Copenhagen bands that Americans should check out?
Lukas: Redflesh! That’s my band.
E: All of the bands.
Vår will be performing the Sacred Bones Showcase during Northside festival at Glasslands June 17 alongside Crystal Stilts, Amen Dunes, Warthog and more. Tickets are on sale now.
JANE PAIN 